Another image from Robin. I would love to show everyone some of the more recent stuff we are working on but they are top secret, so you will have to satisfy with our old crap.
I've been talking to a number of artists recently about choices to make in their careers. Do I go to a big studio and learn or to a smaller studio and hopefully to get the opportunity to supervise? Do I sign a long contract for security and more money or move to where the best projects are. I always advise to search yourself and find out what your ultimate goal is.
If your answer is "I want to be the best animator in the industry" or "I want to develop the most beautiful show on the planet", I suggest finding a very secure company like DreamWorks or Nelvana and hone your craft beside the most talented people you can find.
If what you want is "my own studio" or "to direct my script", you must be willing to make sacrifices. It is unlikely that you'll be able to do any of these things within a studio. "But Ricardo, I understand that I can't run my own studio working at another, but I surely have to be in a studio to direct". Well, the reality is that most studios do not promote their own artists to director and the few that do have long lines of very creative people ahead of you to fill the few spots available. Even if you do happen to fight your way into a director's position, it is very likely that you will be developing your project for years waiting for the much wanted 'green light'. My advice to anyone looking to own a studio or direct is save lots of money, make friends with influential people, get a good agent and quit your job.
